The Daily NABF
2025
01/
What the NABF
No Art But Fun
The Enigma of Irreverent Creativity in a Nuts Hell
By André Naline
You know the feeling when you see a piece of art and think, “I could do that!” Well, NABF practically hands you that thought on a silver platter. It’s as if the artist is daring you to call it lazy while grinning and saying, “Exactly!”
This isn’t about mastery or intricate technique. Let’s be honest: it’s about pure, unfiltered fun - or so the story goes. There’s a nagging suspicion that the artist knows his way around a graphic design app better than a brush, but that’s part of the appeal. It’s art with a built-in safety net, a creative shrug that doesn’t try to try, because, well, why bother?
NABF‘s creations run wild across mediums - from acrylic paint to linocuts to screenprints, slapped onto anything from canvases to skateboards to the above mentioned - silver platter. They have a rough, almost slapdash quality, as if the artist couldn’t be bothered to go back and clean up the mess. It’s as though each piece arrives with a disclaimer: “Don’t look too closely.” But isn’t that kind of a cheap trick? After all, by waving the flag of “fun,” NABF sidesteps the need for precision, narrative, or depth.
This art (or no-art) seems to mock the very idea of taking itself seriously. There’s a kind of audacity here, a sly grin that says, “I'm just here to have fun.” It flirts with coherence and then leaves you dangling, offering no deeper meaning than what you bring to it. And just when you start to wonder if there’s more beneath the surface, NABF throws you back to square one, smirking as if to say, “Don’t overthink it.”
But here’s the kicker: maybe NABF’s greatest trick isn’t that it’s about fun at all. Maybe it’s a clever cover, a way of ducking criticism with a dismissive wave. No Art But Fun is both a manifesto and an excuse, a tidy way of saying, “No serious art, no serious standards.” And in doing so, NABF offers a kind of artistic freedom that few would dare - defying expectation, sidestepping judgment, and still managing to get a laugh.
In the end, NABF manages to carve out its own playful, messy space. Whether you love it, laugh at it, or leave for a smoke, one thing is for sure: NABF doesn’t mind either way. It’s just here to have fun. Or so it says.
Bangla Platter, 2024
Acrylic on "Silver Platter"